Saturday, January 15, 2005

Poetry Audio

Along with two friends, I run a website that has a large audio archive (including the stuff you heard last friday).

Please visit and listen, in particular to the "Clairvoyant Journals" performance by Hannah Weiner, which we didn't get to in class:

Factory School Audio Archive

(Scroll down to the W's. Note that you will need Real Audio installed on your computer and speakers/headphones.)

Thursday, January 13, 2005

Web Sites & Organizations

Adbusters
Showcases culture jamming activities (ad parodies, etc.) from around the world.
Bad Subjects
Journal featuring political and cultural commentary.
Beehive
Journal of web art, visual poetry, and essays on poetics.
deviantArt
Archive/collection of digital artwork.
Electronic Poetry Center
Large resource with links to author pages, representative work, audio files, etc.
Found Magazine
Magazine featuring pictures of "found" materials.
Poems That Go
Journal featuring animated audio-visual poetry.
Online Poetry Classroom
Resource for poetry.
R TM Ark
Another culture jamming initiative focusing on corporate/consumer culture.
Prelinger Archives
Gigantic archive of old government-issue films, advertisements, etc.
Illegal Art
Features artworks generated using copyrighted/trademarked materials.
VozAlta Project
Local (San Diego) organization with space downtown where they hold regular poetry and spoken word events.
San Diego Poetry Guild
Small collective of artists, writers, and poets with occasional events at Korova Coffee Bar (University Heights) and elsewhere, site features audio samples. (I'm a member of this group.)
Los Able Minded Poets
Local (San Diego) hip-hop/spoken word group, site features audio samples.

[please send me links if you find anything out there that would fit on this list]

Monday, January 10, 2005

Reminder for Week Two

Read the first four definitions from Williams's Keywords (art, common, communication, creative) and the two chapters from Carey (both excerpts are in the packet). In reading through the definitions (which are dense, maybe a little dry), pay attention to how the words intersect in meaning. Also pay attention to the ways in which these words, as concepts, have changed in meaning over the years/centuries.

[Note that you want to read, before class, everything that's listed for a given week.]

Bring your assignment (2 pages) to class to hand in. I might ask some of you to share your questions with the rest of us.

Remember to pick your first three choices for the week of your group presentation. On the day of your presentation, you and your fellow team members will briefly present each of the readings and ask a few questions to get us going. You will also bring to class some relevant examples (artifacts, instances, reports) that intersect with the readings in some way. For example, you and your group may go to a spoken word poetry reading and come to class with some stories and analysis. Or you may scour campus for advertising slogans or other "signage" and then report on these as examples of "performative" language. Or you may present a website that deals with social issues addressed in a reading.

The basic idea behind the presentation assignment is to come to class prepared to lead (or at least help lead) class discussion and to bring examples "from the wild" that you think are relevant to the course theme and to communication studies in general. This should be a fun and relatively painless activity, so let me know if you have any questions, concerns, or misgivings and we'll work them out.

Looking forward to class this week!